Following in the tradition of Abstract Expressionism, Meyer's paintings explore the grace of the gesture and the lyrical beauty of color and form. Marked by a freedom and ease in style, the colorful shapes float on the canvas, sometimes mingling and at other times maintaining their own form. Inspired by the fluidity of her watercolors, Meyer's work speaks of pleasure, spirit and independence.

Melissa Meyer has exhibited extensively in the US and abroad with more than 120 solo and group shows since 1974. Her work appears in numerous public and private collections including: The Metropolitan Museum of Art, The Museum of Modern Art and The Solomon R. Guggenheim Museum, as well as many corporate collections from Arthur Anderson & Co. in Chicago to Zale Corporation in Dallas. Based in New York, Meyer has been represented by the gallery since 1994. A catalogue of her 2000 exhibition of paintings, with a text by Allan Gurganus, is available.

Lives and works in New York City.

1947

Born in New York, New York.

1968

Bachelor of Science, New York University, New York, New York

1975

Master of Arts, New York University, New York, New York

1993-to present

Teaches at the School of Visual Arts, New York, New York

2004

‘Color and the Cosmic Tree,’ Philadelphia Museum of Jewish Art, Philadelphia, Pennsylvania
Rebecca Ibel Gallery, Columbus, Ohio

2003

Elizabeth Harris Gallery, New York, New York

2001

'Watercolors,' Elizabeth Harris Gallery, New York, New York

2000

Rebecca Ibel Gallery, Columbus, Ohio
'Paintings from the 1990's,' 113 Crosby-Jill Platner, New York, New York

1998

'Watercolors from the Archer Series,' Rebecca Ibel Gallery (Ibel Simeonov), Columbus, Ohio

1997

'Melissa Meyer: The Garner Tullis Project,' Deven Golden Fine Art, New York, New York

1996

Miller/Block Gallery, Boston, Massachusetts
Holly Solomon Gallery, New York, New York
Montgomery Glasoe Fine Art, Minneapolis, Minnesota

1995

'Watercolors and Monotypes,' Rebecca Ibel Gallery (Allez les Filles), Columbus, Ohio

1994

Miller/Block Gallery, Boston, Massachusetts

1993

Galerie Renee Ziegler, Zurich, Switzerland
Holly Solomon Gallery, New York, New York
Montgomery Glasoe Fine Art, Minneapolis, Minnesota

1991

'Recent Works on Paper,' Ellen Miller Fine Art, Minneapolis, Minnesota
Holly Solomon Gallery, New York, New York (catalogue)

1988

J.L Becker/East End Gallery, Provincetown, MassachusettsMoss-Thorns Gallery, Fort Hayes State University, Fort Hayes, Kansas

1987

R.C. Erpf Gallery, New York, New York
Leslie Cecil Gallery, New York, New York
J.L Becker Gallery, Provincetown, Massachusetts

1986

R.C. Erpf Gallery, New York, New York (catalogue - essay by Harry F. Gaugh)

1985

Janet Steinberg Gallery, San Francisco, California

1984

Exit Art, New York, New York (catalogue - essay by Stephen Westfall)

1983

Douglas College, New Brunswick, New Jersey (catalogue)

1982

Milliken Gallery, Converse College, Spartanburg, South Carolina

1979

Frank Marino Gallery, New York, New York

1987

Tatistcheff Gallery, New York, New York.

1976

The Cornell Club of New York, New York, New York

2005

‘Fabulous,’ Rebecca Ibel Gallery, Columbus, Ohio

2003

The 197th Annual: An Invitationl Exhibition of Contemporary American Art,’ National Academy Museum, New York , New York
‘Ten Years in Columbus: Part 3,” Rebecca Ibel Gallery, Columbus Ohio
Contemporary Abstraction by Ten Women Printmakers, Selections from the A.G., The Print Center Philadelphia, Philadelphia, Pennsylvania

2002

'Hot Wax,' Cummings Arts Center, Conneticut College, New London, Conn.
'New Years Show,' Rebecca Ibel Gallery, Columbus, Ohio
'Water Color: In The Abstract,' Nina Freudenheim Gallery, Buffalo, New York.

2001

'Summertime 2001, Part 1' Rebecca Ibel Gallery, Columbus, Ohio
'2001 Invitational,' American Academy of Arts and Letters, New York, New York
'Hydro,' curated by Erin Parish, Marcel Sitcoske Gallery, San Francisco, California

2000

'The Perpetual Well: Contemporary Art from the Collection of the Jewish Museum,' Samuel P. Harn Museum of Art, Gainesville, Florida
'Small Work,' Nina Freudenheim, Inc., Buffalo, New York
'Paper Abstractions,' Gallery @ 49, New York, New York
'Collaborative Papers: Contemporary Works of Art From the Garner Tullis Workshop,' Maier Museum of Art, Lynchburg, Virgina
'Artists of Yaddo 1965-2000,' Claudia Carr Gallery, New York, New York
'Friendships in Arcadia: Writers and Artists at Yaddo in the 90's,' organized by Barbara Toll, Art in General, New York, New York and The Hyde Collection, Glens Falls, New York
'Painting Abstraction,' New York Studio School, New York, New York
'Painting,' curated by Alicia Felton, Vox Populi, Philadelphia, Pennsylvania
'Abstract Paintings on Paper,' Jay Grimm, New York, New York

1999

'Artists' Books,' Exhibit A, New York, New York
'Waxing Poetic: Encaustic Art in America,' Montclair Art Museum, Montclair, New Jersey
Knoxville Museum of Art, Knoxville, Tennessee
'Artists as Teachers,' Lobby Gallery, Merrill Lynch Financial Center, New York, New York
'Contemporary Issues, Enduring Vision: Selected Works by Women Artists in the Maslow Collection,' Everhart Museum, Scranton, Pennsylvania

1997

Large Scale Abstract Paintings,' The Neuberger Museum of Art, Purchase, New York
'Abstract Tendencies,' Rider College, Lawrenceville, New Jersey (catalogue -- essays by Deborah Rosenthal and Lance Esplund)
'Lilith,' The Workspace, curated by Stephanie Theodore, New York, New York
'Intimate Universe (Revisited): Seventy American Painters,' curated by Michael Walls, Robert Steele Gallery, New York, New York
'After The Fall: Aspects of Abstract Painting Since the 1970's,' The Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, New York (catalogue essay by Lilly Wei)
'Queens Artists: Highlights of the 20th Century,' The Queens Museum of Art, Queens, New York
'Purely Painting,' curated by Bill Carroll, Elizabeth Harris Gallery, New York, New York
'Individuals on Paper,' Devon Golden Fine Arts, New York, New York
'New Gallery, New Paintings,' Rebecca Ibel Gallery (Ibel Simeonov), Columbus, Ohio

1996

'Abstract Women,' Ibel Simeonov (Rebecca Ibel Gallery), Columbus, Ohio
'Mary H. Dana Women Artists Series 25th Year Retrospective,' Mason Gross School of the Arts Galleries, Rutgers University, New Brunswick, New Jersey
'Large Drawings and Objects,' Arkansas Arts Center Foundation Collection, Little Rock, Arkansas (catalogue -- essay by Arlene Raven)
'Water,' James Graham & Sons, New York, New York
'Happy 90th Birthday Larry Aldrich!,' The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
'New Paintings,' Rebecca Ibel Gallery (Allez les Filles), Columbus, Ohio
'Neue Arbieten,' Galerie Biedermann, Munich, Germany

1995

'The Permanent Collection: Recent Acquisitions,' San Jose Museum of Art, San Jose, California
'Basic Marks: Black and White Paintings,' Rosenberg + Kaufman Fine Art, New York, New York

1994

'Contemporary Prints 1983-1993,' Rebecca Ibel Gallery (Allez les Filles), Columbus, Ohio
'Painting,' Nina Freudenheim Gallery, Buffalo, New York
'Embraceable You,' Selby Gallery, Ringling School of Art and Design, and traveled to Sarasota, Florida; Pritchard Art Gallery, University of Idaho, Moscow,Idaho; Moody Gallery of Art, University of Alabama, Tuscaloosa, Alabama (catalogue - essay by Frances Colpitt)
'About Color,' curated by Bill Carroll, Charles Cowles Gallery, New York, New York
'Amerikanische Zeichnungen,' Galerie Biedermann, Munich, Germany
'The Brushstroke and its Guises,' New York Studio School, New York, New York (brochure)
'Watercolors,' Nina Freudenheim Gallery, Buffalo, New York

1991

'Drawings in Black and White/Contemporary Works from the Collection,' The Museum of Modern Art, New York, New York
'Le Cadavre Exquis,' The Drawing Center, New York, New York
'Drawings,' Montgomery Glasoe Fine Art, Minneapolis, Minnesota
'A Grand Tour,' Swiss Institute, New York, New York
'Intimate Universe,' Nina Freudenheim Gallery, Buffalo, New York
'Rewriting History: The Salon of 1993,' Montgomery Glasoe Fine Art, Minneapolis, Minnesota
'The League at the Cape,' Provincetown Art Association and Museum, Provincetown, Massachusetts
'Making Connections: Approaches to Space in Drawing,' Maier Museum of Art, Randolph-Macon Women's College, Lynchburg, Virginia (catalogue - essay by Hearne Pardee)
'First Thoughts: Working Drawings by Seven Artists,' The Gallery at Bristol-Myers Squibb, Princeton, New Jersey (catalogue)
'New Editions '92 - '93,' Tomoko Liguori Gallery, New York, New York 1992
'Scoop,' Galerie Renee Ziegler, Zurich, Switzerland
'Zeichnung Das Kleme Format,' Galerie im Trudelhaus, Baden, Switzerland
'Intimate Universe,' traveled through 1994; organized by Independent
Curators, Inc., Joshua Smith, guest curator; Michael Walls Gallery, New York, New York (catalogue)
'Drawn in the Nineties,' Katonah Museum of Art, Katonah, New York, New York
Fine Art Gallery, Indiana University, Bloomington, Indiana
Illingworth Keer Gallery, Alberta College of Art, Calgary, Alberta, Canada
Huntsville Museum of Art, Huntsville, Alabama
The Worcester Museum of Art, Worcester, Massachusetts
Lamont Gallery, Phillips Exeter Academy, Exeter, Massachusetts
'Summer Group Show,' Lennon, Weinberg, Inc., New York, New York

1991

'Eva Hesse, Louise Lawler, Agnes Martin, Melissa Meyer, Judy Pfaff, Kiki Smith, Jackie Winsor,' Holly Solomon Gallery, New York, New York
'Black and White,' Nina Freudenheim Gallery, Buffalo, New York
'Monotypes,' Graham Modern Gallery, New York, New York
'American Painting and Sculpture, The 80's, from the Collection of the Metropolitan Museum of Art,' The Nassau County Museum of Art, Roslyn Harbor, New York (catalogue)

1990

'The Legacy of the Abstract Expressionists,' The Gallery at Hastings-on-Hudson, Hastings-on-Hudson, New York
'National Drawing Invitational,' The Arkansas Arts Center, Little Rock, Arkansas,(catalogue)
'Selected Prints,' Graham Modern Gallery, New York, New York

1989

'The 1980's Prints from the Collection of Joshua P. Smith,' National Gallery of Art, Washington D.C.
'10 Gallery Artists,' Nina Freudenheim Gallery, Buffalo, New York
'Black, Gray and White,' Henry Feiwel, New York, New York
'A Tribute to Tibor de Nagy,' The Butler Institute of American Art, Youngstown, Ohio (catalogue)
'Lines of Vision: Drawings by Contemporary Women,' Blum-Helman Warehouse, New York, New York (catalogue)
'A Reunion of Distant Cousins,' curated by Meyer Raphael Rubinstein, Michael Walls Gallery, New York, New York
'Life Forces: Nature in Abstraction,' curated by Margaret Mathews-Berenson, Lintas, New York
'Is This a Small Painting?,' Henry Feiwel, New York, New York
'Artist of the 1980's: Selected Works from the Maslow Collection,' Sordoni Art Gallery, Wilkes College, Wilkes Barre, Pennsylvania, (catalogue)
'Monoprints/Monotype Images by Twenty Contemporary Artists,' University of Maine Museum of Art, Orono, Maine, (catalogue)
'A Look Back, New Acquisitions,' The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

1988

'Brickhouse, Meyer, Miller, Utterback,' Tibor de Nagy Gallery, New York, New York
'Art on Paper 1988,' Weatherspoon Art Gallery, Greensboro, North Carolina, (catalogue)
'Works on Paper,' Tibor de Nagy Gallery, New York, New York
'A New Generation, The 1980's: American Painters and Sculptors,' The Metropolitan Museum of Art, New York, New York, (catalogue)
'Living in New York,' Aubes 3935 Gallery, Montreal, Canada, (catalogue)
'Admissible Evidence,' Visual Arts Gallery, Purchase, New York
'Sequential and Diaristic Drawings,' Michael Walls Gallery, New York, New York

1987

Knowing What I Like,' curated by John Bernard Myers, Kouros Gallery, New York, New York, (catalogue)
'Entities,' R.C. Erpf Gallery, New York, New York

1986

'A Contemporary View of Nature,' The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, (catalogue)
'Surplus,' Exit Art, New York, New York
'A Look at Painting,' R.C. Erpf Gallery, New York, New York
'Drawings,' Janet Steinberg Gallery, Buffalo, New York

1985

'Neo Modern,' R.C. Erpf Gallery, New York, New York
'Art on the Beach Collaboration,' John Nichols, New York, New York
'Art on the Beach,' Creative Time, New York, New York
'The Non-Objective World,' curated by Stephen Westfall, Kamikaze, New York, New York
'Surplus,' Exit Art, New York, New York
'Candidates for Art Awards,' American Academy of Arts and Letters, New York, New York

1984

'Affinities of an Abstract Nature,' curated by Judd Tully, Dramatis Personae, New York, New York
'24 x 24 x 24,' Ruth Siegal Gallery, New York, New York
'The Fourth Annual,' John Davis Gallery, Akron, Ohio
'The Fantastic Landscape,' Exit Art, New York, New York
'Modern Art,' curated by John Yua, Ted Greewald Gallery, New York, New York
'Salvo,' curated by Michael Walls, Ruth Siegel Gallery, New York, New York
'Gallery Selections,' Janus Gallery, Los Angeles, California
'Twelve Abstract Painters,' Ruth Seigel Gallery, New York, New York
'Drawings: New Dimensions,' Nina Freudheim Gallery, Buffalo, New York
'New Spiritual Abstraction of the 1980's,' curated by Ronny Cohen, Nohra Haime Gallery, New York, New York
'Newscapes,' curated by Peter Frank, Contemporary Art at One Penn Plaza, New York, New York

1983

'Works on Paper,' Bess Cutler Gallery, New York, New York
'Group,' C.W. Post, Hillwood Gallery, Greenvale, New York (catalogue)
'Exchange of Sources: Expanding Powers,' California State College, Stanislaus, California (catalogue)

1982

'CAPS Painting,' Lehman College, New York, New York; Brainerd Art, Postdam, New York
'Ten Downtown at P.S. 122,' P.S. 122, New York, New York

1981

'A.I.R. Holiday Show,' A.I.R. Gallery, New York, New York
'Paper Caper,' Frank Marino Gallery, New York, New York
'Two Artists,' American Studies Center, Naples, Italy
'2' x 2',' Frank Marino Gallery, New York, New York
'Small Paintings (Three Painters),' Frank Marino Gallery, New York, New York

1980

'L'Amerique Aux Independents,' Grand-Palais, Paris, France (catalogue)
'55 Mercer Invitational,' 55 Mercer Street Gallery, New York, New York

1979

'Group,' Loeb Student Center, New York University, New York, New York
'New Painters,' Soho Center for the Visual Arts, New York, New York

1978

'Drawings II,' Touchstone Gallery, New York, New York
'Abstractions,' Pratt Institute, Brooklyn, New York and New York, New York
'Dissonances and Harmony,' OIA, Avery Fisher Hall, New York, New York

1977

'Art in Public Spaces,' OIA, 26 Federal Plaza, New York, New York

1076

'Drawings,' Open Studio Gallery, Arnolfini Art Center, Rhinebeck, New York

1975

'Potsdam Drawing Exhibition,' Potsdam, New York

1998

Garner Tullis and the Art of Collaboration, text by David Carrier, Copenhagen and New York.

1997

Sketchbooks 1993-1995, texts by Allan Gurganus and Robert Klitzman, M.D., Printed by Stamperia Valdonega, Verona, Italy. The Mezzanine Gallery, Metropolitan Museum of Art, New York.

1996

Theories and Documents of Contemporary Art. A Sourcebook of Artists Writings, Edited by Kristine Stiles and Peter Selz, University of California Press, Berkeley / Los Angeles / London.

1995-96

In The Margins 19 Interviews (Interview with M.G. Lord), Montgomery Glasoe Gallery, Minneapolis, Minnesota.

1994-36

The Jewish Museum , p. 23.

1986-1988

Provincetown Arts, Fall 1986, Summer 1987, 1988 (drawings reproduced).

1985

‘Kimura at Ruth Siegel,’ Arts, April 1985.

1983

Parnassus: Poetry in Review, Spring and Summer (painting reproduced).

1978

‘Femmage,’ with Miriam Schapiro, HERESIES, Number 4, Spring.

1973

Ms. magazine, December (painting reproduced for story, "The Green Woman").

1999

Yaddo

1994-97

Yaddo

1993

National Endowment for the Arts Grant in Painting

1992

New York Foundation for the Arts

1984

National Endowment for the Arts Grant in Painting

1983

National Endowment for the Arts Grant in Painting
Yaddo, Sarasota Springs, New York.

1982

CAPS Grant in Painting
Yaddo, Sarasota Springs, New York.

1981

CAPS Grant in Painting
The American Academy in Rome, Rome Prize Fellowship

1980

The American Academy in Rome, Rome Prize Fellowship
Edward F. Albee Foundation, Montauk, New York

1979

Edward F. Albee Foundation, Montauk, New YorkYaddo, Sarasota Springs, New York.

1978

Palisades Interstate Project/America the Beautiful Fund

1975

Yaddo, Sarasota Springs, New York.

1974

Yaddo, Sarasota Springs, New York
The Provincetown Workshop, With Leo Manso and Victor Candell

1972-73

The Provincetown Workshop, With Leo Manso and Victor Candell

‘Melissa Meyer Creates Largest Works to Date for Tokyo’s Newest

& Tallest Skyscrpaer,’ Yaddo News , Spring 2004.

Fyfe, Joe. ‘Melissa Meyer: Prints and Artist’s Books at University of Akron, Myers School of Art,’ Art On Paper, March/April 2004, p.75

Shinn, Dorothy. ‘Painter’s work fills UA galleries,’ Akron Beacon Journal, November 27, 2003

Cohen, David. The New York Sun, October 30, 2003. p. 16.

Cohen, David. 'A Chat With The Painter : Melissa Meyer is living large,'The New York Sun, March 13, 2003. p. 14.

Fyfe, Joe. 'Watercolor: A Critical Celebration,' Artnet, October 22, 2002

Adler, Dan. 'Melissa Meyer at Elizabeth Harris,' Art in America, January, 2002

Fryer-Kohles, Jeanne. "Summer assortment makes fine bouquet for gallery," The Columbus Dispatch, July 8, 2001, p. F5.

Wei, Lilly. 'New York Reviews,' exhibition review, ARTnews, May 2001.

Perl, Jed. 'Neighborhood Watch,' exhibition mention, www.the newrepublic.com, May 9, 2001.

The New York Times, 'Weekend,' exhibition mention, Friday, May 4, 2001.

"Melissa Meyer," exhibition mention, The New Yorker, October 2, 2000, p. 26.

Bjornland, Karen. "Hyde Collection Looks Behind Walls of Yaddo," The Sunday Gazette, June 11, 2000, pp. G1-2.

Johnson, Ken. "Artists of Yaddo: 1965-2000," The New York Times, June 23, 2000 p. E34.

Banner, Mae G. "Hyde Celebrates Yaddo's 100th Anniversary With Unusual Exhibition," The Saratogian, May 25, 2000, p. 4.

Wilikin, Karen. "At the Galleries,' Partisan Review, Spring 2000, p. 293.

Naves, Mario. "Where Art Places Third, Behind the Scene and the Self," The New York Observer, March 27, 2000.

Karlins, N.F. "Drawing Notebook,' artnet.com, February 2000.

Esplund, Lance. "The Thankless Muse," Modern Painters, Summer 1999, pp. 74-77.

Butkiewicz, Joe. "Artists United in their Difference," The Times Leader, January 2, 1998.

On Paper, "Melissa Meyer, Sketchbooks 1993-1995," January-February 1998, p. 35.

Schaffner, Ingrid. "Books, Sketchbooks and Yaddo: A Conversation with Melissa Meyer," The Drawing Society, Winter 1998-99.

Pardee, Hearne. "Melissa Meyer at Deven Golden," Art News, April 1998, p. 35.

Kokot, Sharon. "Watercolors that keep their edge," The Columbus Dispatch, May 3, 1998.

Ames, Lynne. "Patron of Artists Who Once Wanted to Be Amongst Their Number," The New York Times, Westchester Edition, July 26, 1998.

Kokot, Sharon. "Ten Best of 1998," The Columbus Dispatch, December 27, 1998.

Arning, Bill. "Lilith," Time Out, New York, September 11-18, 1997, p. 51.

Raynor, Vivien. "Seven Artists Offer Lineup of Works at Nueberger in Purchase," The New York Times, (Westchester edition), November 16, 1997, p. 21.

Smith, Roberta. "Melissa Meyer: The Garner Tullis Project," The New York Times , Listings, Friday, December 26, 1997.

Worth, Alexi. "Melissa Meyer at Holly Solomon," Art News, May 1996, pp. 136-137.

Corn Alfred. "Melissa Meyer at Holly Solomon," Art in America, May 1996, p. 105.

Hall, Jacqueline. "A Glimpse of New York," The Columbus Dispatch, May 19, 1996, p. 8G.

Fritsch, Eileen. "Meet the Da Vinci of Digital Printmaking," Screenprinting, July 1996, pp. 18-30.

Koeninger, Kay. exhibition review, The Columbus Dispatch, September 6, 1996. Kagan, Dick. "Another Side of Soho," Art & Antiques, The Traveling Collector, October 1996, p.p. 99-103.

Worth, Alexi. "Spotlight on Melissa Meyer," Boston Magazine, October 1996, p. 152.

Koeninger, Kay. "Abstract Women make their works humorous, accessible," The Columbus Dispatch, November 3, 1996.

Hall, Jacqueline. "Abstract Images Impart a Renaissance Feeling," The Columbus Dispatch, October 15, 1995.

Hall, Jacqueline. "Prints Exhibit Outstanding Diversity," The Columbus Dispatch, June 26, 1994.

Altabe, Joan. "Super-Realism Colors Superb Abstract Show," Sarasota Herald-Tribune, August 26, 1994, p.19.

Marger, Mary Ann. "A Mission in Abstract," Sarasota Times, August 26, 1994. Stapen, Nancy. "Melissa Meyer at Miller/Block," Art News, September, 1994, p. 178.

"Melissa Meyer," The New Yorker, February 1, 1993, pp. 16-17.

Glueck, Grace. "Gallery Watch," The New York Observer, February 15, 1993, p. 18.

Glueck, Grace. "An Exquisite Corpse's Grand Tour," The New York Observer, March 15, 1993, p. 15.

Viksjo, Cathy. "Importance of Drawings Emphasized," Trenton Times, April 4, 1993, pp. CC1, CCS.

Town Topics, Princeton, NJ, April 7, 1993.

Hailer, Emmanuel. "Doodles Can Be an Art Solution,"Korean News New Jersey, April 1993.

Pardee, Hearne. "Melissa Meyer at Holly Solomon," Art News, April 1993, p. 131.

Danto, Arthur C. "Art After the End of Art," Artforum, April 1993, p. 68.

Harrison, Helen A. "Outside the Gallery System," The New York Times, August 21, 1993.

Nathan, Jean. "Yaddo," The New York Times, September 19, 1993, "Styles of the Times," pp. 1, 11.

Huntington, Richard. "Water Babies," The Buffalo News, December 17, 1993.

Stapen, Nancy. "Worcester show draws on a full spectrum of ideas," The Boston Globe, December 27, 1993, p. 31.

"The Art News 200," Art News, January 1992, p. 82.

Stapen, Nancy. "Galleries/The Vast Canvas of Abstraction," The Boston Globe, April 21, 1992, pp. 61, 65.

Raynor, Vivien. "Memorable Images in an Anthology of Drawings," The New York Times (Westchester Edition), July 5, 1992, p. 12.

Eye on Art (Winston Enterprises Newsletter), Fall 1992, p. 2.

Print Collector's Newsletter, September/October, 1992, pp. 142-143.

"Group Show," exhibition review, The New Yorker, January 22, 1991, p.11.

"Art Smart," Avenue, February 1991, pp. 78-79.

Gurganus, Allan. "The Sense of Life, Recent Paintings by Melissa Meyer," Arts, April 1991, pp. 64-67.

Perl, Jed. "Art: Tradition-Conscious," The New Criterion, May 1991, p. 55.

Perl, Jed. "Going to Galleries," Modern Painters, Autumn 1991, p. 55.

Newhall, Edith. "Melissa Meyer at Holly Solomon," Art News, Summer 1991, pp. 149-50.

Collins, Amy Fine and Bradley. "Melissa Meyer at Holly Solomon," Art in America, July1991, pp. 115-116.

Danto, Arthur C. "Post-Historical Abstract Painting," Tema Celeste, Autumn 1991, pp. 54-55.

Quaroni, Grazia. "Le Donne Dell'Arte," Marie Claire (Italian Edition), October 1991, pp. 125-126.

Zimmer, William. "Abstract Expressionism: Carrying the Torch," The New York Times (Westchester Edition), October 7, 1990.

Russell, John. "The Reunion of Distant Cousins," The New York Times, June 16, 1989.

Cyphers, Peggy. "Abstract Redact," Cover, January 1988.

Rubenstein, Meyer Raphael. "Melissa Meyer with Digressions,"Arts, March 1988.

Smith, Roberta. "Recent Met Acquisitions Survey Work of the 80's," The New York Times, April 15, 1988.

Klein, Ellen Lee. "New York Reviews," Arts, May 1988.

Gill, Susan. "New York Reviews, Knowing What...,"Art News, Summer 1987.

Boynton, Andrew. "Editorial," Art and Antiques, November 1987.

Brenson, Michael. "Melissa Meyer, R.C. Erpf Gallery," The New York Times, December 4, 1987.

Henry, Gerrit. "New York Reviews, Modern Art," Art News, January 1986.

Sofer, Ken. "New York Reviews, Melissa Meyer, Exit Art," Art News, February 1986.

Cameron, Dan. "The Groundhog Report," Arts, March 1986.

French, Christopher. "Melissa Meyer at Steinberg Gallery,"Artweek, March 30, 1986.

Cohen, Ronny. "Affinities of an Abstract Nature, Dramatis Personae," Art News , April 1986.

Glueck, Grace. "Art on the Beach," The New York Times, July 5, 1986.

Gill, Susan. "New York Reviews, Melissa Meyer, R.C. Erpf,"Art News, November 1986.

Westfall, Stephen. "Melissa Meyer at R.C. Erpf," Art in America, December 1986.

Glueck, Grace. "Melissa Meyer, Exit Art," The New York Times, November 30, 1984.

Smith, Roberta. "Four Artists in Search of...," The Village Voice, December 11, 1984.

Norman, Michael. "Under the Tall Pines, Yaddo...," The New York Times, July 9, 1983.

Preston, Malcom. "Works by Unaffiliated Artists," Newsday, August 18, 1983. Harrison, Helen A. "Outside the Gallery System," The New York Times, August 21, 1983.

Glueck, Grace. "The Artists' Artists," Art News, November 1982.

Rickey, Carrie. "Put the Blame On...," The Village Voice, November 2, 1982.

Marzorati, Gerald. "Artful Dodger," Soho Weekly News, April 23-29, 1980.

Frank, Peter. "Review," The Village Voice, April 1979.

Kenny, Kay. "Reviews," Women's Art Journal, Spring/Summer 1979.

Rickey, Carrie. "Reviews, New York," Artforum, Summer 1979.

Buonaguno, Edgar. "Review, Drawings II, Touchstone," Arts, April 1978.

Jerome, Deborah. "An Inspiring Landscape," The Record, New Jersey, August 17, 1978.